Complete Comic-Con 2011 TV Panel Schedule [Updated] > 자유게시판

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On top of that, some of Comic-Con's fan-favorite TV series have been upgraded from the hallowed Ballroom 20, and will now be gracing the 5,000-seat Hall H. So, this year you won’t be able to simply sit in one room all day to catch many of the major television events has to offer at Comic-

The past five years have seen the horror genre come out of its slump and deliver some true classics that stand as some of the best horror experiences gaming has to offer. These 10 games in particular are perhaps the best modern horror games, and are all great choices for anyone looking for some thrills this Hallow

PT sees players moving through an endlessly looping hallway as they attempt to solve its complex, vague puzzles and avoid the disturbing, ghost-like woman that occasionally attacks them. It's unfortunate that the full game will never be released, but PT is still a landmark horror release that has gone on to inspire countless copyc

March and April may not hold as many options as previous months, but there are still quite a few good picks available. Suits returns to USA; Whose Line Is It Anyway? proves what works, works (even on the CW); PBS finally premieres the BBC mini-series Mr. Selfridge starring Jeremy Piven; Orphan Black returns to BBC America; and Game of Thrones season 4 premieres… at some po

Fortunately, we’ve attempted to take some of the confusion out of your Comic-Con experience with a complete schedule of all the TV panels. While some series have yet to announce specific details , the majority of television series have already confirmed their plans for Comic-Con 2

The first Outlast successfully translated the found footage horror genre to video game form, and Outlast 2 delivers a similar, yet arguably even scarier, experience. Outlast 2 changes the setting from a mental asylum to rural Arizona, where players are chased down by insane cult members. Its dark religious themes help to make Outlast 2 especially unnerving, and while the first half is a bit slow, the second half is a dizzying rollercoaster of shocking scenes and moments that will be drilled into the minds of anyone brave enough to play through

Special Guests: Nestor Carbonell ( Ringer ), Johnny Galecki ( The Big Bang Theory ) Jorge Garcia ( Alcatraz ), Leslie Hope ( The River ), Zachary Levi ( Chuck) Joe Manganiello ( True Blood ), Julie Plec ( Vampire Diaries) Matt Smith ( Doctor Who ), Kevin Williamson ( Vampire Diaries ), Deborah Ann Woll ( True Blood ), and oth

While playing as a survivor is tense and filled with spikes of adrenaline, playing as the killer is intoxicating. Even in the multiplayer lobbies, you have the distinct advantage: as a survivor, you’ll spend time in the lobbies together standing idly and choosing passive perks like additional fog to make it harder for the killer to see you; as the killer, you stand out of the survivors’ view, watching. You study them, getting to see what each survivor looks like and exactly which perks they’re bringing in. From the jump, the game makes it clear that the killer is probably going to win.

There’s some less-than-ideal quirks to the game I hope get ironed out before release, like the fact that the best strategy as a survivor with a killer on your tail is to run in circles around him to exploit the limited perspective. It’s a bit goofy as a survivor, but it mostly just feels clumsy and frustrating as the killer. As well, though the developer described how other maps will provide much different gameplay from the forest level they were showing off, it sounds like activating generators to power an escape door is the only objective survivors will ever be given. I’d really like to see some creativity there, because while the meat of the SLG Game News is ultimately about the tension of being hunted and the procedurally generated levels will add some variety to every match, it’d be nice to have something else to do once in a while.

Though the game is played in third-person view for survivors, you’ll play in first-person as the killer. Côté explained that the shift here is about focus. As a survivor, you’re focused on keeping an eye out for the killer. When you’re fixing a generator, you can spin the camera around to make sure he’s not sneaking up on you. If he does, though, you’ll be able to see a red glow wash over the immediate area behind your character. Not only does a third-person camera divorce you from the action so you get the same sympathetic feeling you’d get watching the victims of a slasher flick, but the pulled-out view offers a tactical advantage you sorely need as a survivor. As the killer, you don’t need the advantage. The first-person perspective gives you tunnel vision as you hunt your targets, which doesn’t just make the action more personal; it effectively reduces your vision cone and makes it easier for the survivors to escape. This led to incredibly close calls during my round as a survivor when I managed to lose the pursuing killer for the briefest of moments, then dodge into a cabinet and watch him pass by. When I played as the killer though, that same situation in reverse made it crystal clear how important it is as a survivor to slow down and not leave a trail as I threw open the cabinet doors and wrenched the terrified survivor out.